Friday, 29 April 2011

Reflection

 The journey through this course: English Literature 203 has been unlike any other. I would like to thank everyone who took time to read my entries and leave feedback. A special thank you to Mr. Emmanuel, my lecturer for the guidance and insights provide along the way.

My first impressions of the program were: 'Oh why me!' and 'How much longer before it's all over?'! I was instantly repulsed by the course content and I felt terribly intimidated by the heavy workload. It seemed like a challenge too great to overcome. I felt that I was learning several wonderful, practical teaching approaches, but it was mostly theory. I understand now that the time available was insufficient to accommodate more practice of the course content, but in retrospect, I would have preferred to have had a more balanced program of activity.

All in all, I have learnt so much! I can now confidently say that I know how to approach the teaching of Literature, as well as how to effectively use literature in the other subject areas that I may teach. The knowledge that I have acquired will be shared with other teachers. I will also try as best as I can to help set up programs at my school which will appeal to students, as they journey through the stages of literary appreciation.

Lesson Plan (Using Role Play)

Subject: English Literature

Topic: Characterization

Strands of Language
Arts to be employed in: reading, writing, listening, speaking

Duration: 80 minutes

Class:Form three/Grade 9

Age: 14-15 yrs

Objectives: students should be able to
  1. Use role-play to deduce the rules that governs all relationship(families)
  2. From the role-play students are to deduce the consequences for breaking rules
  3. Recognize the importance of effective communication by identifying the reasons for the miscommunication between Margaret and her father, Mr. Cruickshank
  4. State clearly possible methods for resolving conflict with families


Instructional strategies
To be employed: role-play, guided questions

Materials/media: basic props (hats, scarf etc), text: Harriet’s Daughter, journals, slips of paper in plastic bag

Introduction: scenario: ‘you have come home late on a school night without informing your parents. Upon arrival, your parents ask for an explanation’.

Procedures:
  1. Students will form groups of three
  2. Students will be given the guidelines for developing their role-play. In the guideline students will be given the instructions to plan their role-play. Students have 5 minutes to prepare their presentations
  3. Students will dip for the order of the presentations
  4. Students will end their planning when a group presents because will be instructed to take notes during each presentations paying particular attention to the problem, the causes of the problem, how each person (parent and child) behaved and the solution to the problem
  5. Students will perform their role play within a three minute duration
  6. As a class students will engage in a guided discussion based on the points identified in step 5, immediately after performances
  7. Students will then be instructed to turn to the section in the novel where Margaret is confronted by her father after her late arrival from school
  8. Students will read the section aloud.
  9. The teacher pauses at strategic points to ask students questions such as

  • What would you have done if you were Margaret?
  • Why do you think Margaret saw nothing wrong with her behavior?
  • Why do you think Margaret’s father was upset?
  • How else do you think Margaret’s father could have dealt with her?
  • How do think Margaret felt after her father’s scolding?
  • If you were Margaret would you have continued her behavior?
  • Have you ever been in a situation similar to Margaret?
  • What was your reaction?
  • How did you feel upsetting your parents?

Conclusion: students will be asked to write a letter in their journals addressed to the character Margaret/ father expressing their feelings about their reactions in the situation. They must focus on the problem, how the problem was handled and the appropriateness of the strategy used to deal with the problem.

Evaluation: Students’ performances and journals will be assessed with the use of a rubric.

Evaluating the usefulness of Q.A.R.

 Question-Answer Relationship is a reading strategy which was developed by Taffy Raphael (1982). This strategy can be a very effective before, during or after reading strategy, as it encourages students to develop their own internal questioning system as they go through the text. This strategy is an essential reading comprehension strategy as it guides students through the process of understanding what types of questions can or may be asked on a text and how to find or form the answers to these. It helps dispel the misconception that students often have that the answers to all comprehension questions are found in the text; by balancing text information and personal experiences to answer questions on texts. 
Using the strategy effectively, as with any other, depends largely on the user. The following is a guide as to how best to use the Question Answer Relationship Strategy.
  1. Explain the strategy
  2. Demonstrate the strategy
  3. Guide students to apply the strategy
  4. Provide opportunities for independent practice
  5. Reflect

Some important points to bear in mind when using this strategy are:
  1. The zone of proximal development
    Questions are divided into four categories, ranging from simplex to complex. Ensure that students cognitive levels of development are taken into account when using this strategy.
  2. Autonomy
    Students should receive guided instruction in the use of this strategy before gradually releasing the to practice on their own. This is imperative as sudden immersion may overwhelm students and make reading a 'chore' or a 'bore', rather then a pleasurable experience.
  3. Meta cognition
    Maintaining an internal dialogue whilst reading is an essential comprehension skill.

Question-Answer Relationships is a really great reading strategy. I like it because it teaches comprehension skills. This is a skill which is often overlooked by teachers. It is often misconstrued that comprehension skills are a by-product of literacy. The Q.A.R. Strategy trains readers to determine how information is stated in the text, and how and when inferences are required. It is important when using this strategy to balance the types of questions used.This strategy, once effected properly, should motivate students to read.

Activity using Q.A.R.

Subject: English
Grade: 8
Age group: 13-14 years
Focus: Using the Q.A.R. reading strategy to understand the text 'Annie John'

  1. Students will be divided into 8 groups of 4
  2. Each group will be numbered and each group will dip for a number which represents the chapter of the text that they will be using for the activity
  3. Two question under each level of the Q.A.R. will be written on the board for the benefit of all students
  4. Students are instructed to form two or more questions under each level of the Q.A.R. (based on the chapter of the text assigned to them) and classify them accordingly.
  5. Students will be allowed 15 minutes to complete their questions. They are to be written on a blank sheet of paper.
  6. Each group will make a 3 minute oral presentation (indicating their questions, types/levels etc.).
  7. Errors and mistakes will be noted and corrected immediately.
  8. Afterward, papers are folded and put into a paper bag. One student from each group will dip for a sheet. Group members prepare answers to each other's questions for presentations in the next session.



    For this activity, the assumption was made that student had already read the text in its entirety.
    Also, the principles of Question Answer Relationships had already been introduced to them. The activity therefore was mainly devised to be used in this instance as an after reading activity. The main purpose therefore, is to train students in the use of questioning techniques, with the aim of ensuring that they can do so independently.

Thursday, 28 April 2011

A video demonstration of Q.A.R.

The following is a Youtube clip of the reading strategy Q.A.R. I suggest you start to view the video from 1 minute and 34 seconds if you want to skip the preamble. I hope this clears up any misconceptions that you still had.Enjoy

What is Q.A.R.: Question-Answer Relationship?

Question-Answer Relationship is a reading strategy which was developed by Taffy Raphael (1982). This strategy can be used before, during and after reading. It prepares students to answer questions on a given text. Q.A.R. Is a useful tool for helping students balance literal and figurative questioning and reasoning. Without it, students may over-rely on information which is explicitly stated in the text, or solely on their background knowledge.

Raphael (1982) categorized four levels of questions under two main headings: 'In The Book' and 'In My Head'. The word 'book' here is used loosely, as it refers to text in general. 'In The Book' is further sub-divided into two categories: 'Right There' and 'Think and Search'. These form levels one and two respectfully. In My Head' comprises levels three and four-'Author and You' and 'On My Own'.

Level one:'Right Here' questions are those to which the answers are directly stated in the text.
Level two: 'Think and Search' questions are those which require readers to make links among multiple ideas, in order to find answers.
Level three: 'Author and You' questions require deductive reasoning abilities. Readers use information in the text (clues) as well as their background knowledge to generate responses which are not literally stated in the text. Readers must 'read between the lines'.
Level four: 'On My Own' questions require the reader to use mainly their background knowledge to answer questions. Readers may not need to have read the text in order to respond to these types of questions.

For more information on Q.A.R.s see the following links below:

Wednesday, 27 April 2011

Reflection on a personal experience in learning literature


I had the most wonderful literature teacher at Secondary School. Her name was Margaret Edgar. Oh how I loved literature classes. I waited anxiously for each class and felt sorely wounded if some else substituted. My teacher appeared to be very enthusiastic about her subject area and that motivated me to participate in the instructional activities. The lessons were always lively and fun!

I recall studying the play 'The Merchant Of Venice' by Shakespeare. My intimidation at learning that the language being used in the play was foreign, and having never studied a play, was short-lived. I clearly remember how simple everything seemed by the end of the first scene. I also recall 'experiencing' the events, almost as vividly as if I was seating I the front row at a theatre, watching the events unfold first-hand.

I understand now that the approaches employed by my teacher were strategic and deliberate, as she understood the stages of literary appreciation and so tailored the instruction to meet our specific needs. I believe that this was grade nine, and so I must have been about fifteen years old. 'The Merchant of Venice' was an appropriate text for that level, because my peers and I were learning to 'venture beyond self', and were trying to understand the norms, mores and idiosyncrasies of society. The play helped me to live vicariously through the characters, whilst journeying with them through periods of bliss, disappointment, hatred, vengeance, deceit and romance. Although culturally unfamiliar, I could have related to events in the play, for instance, wanting to borrow an item which I felt then that I absolutely could not go without and being subjected to less that ideal lender stipulations.

Knowledge of the stages of literary appreciation should inform our selection of texts. The texts selected should address or highlight the issues which are pertinent to the individual at each level. This aids in the psychological and intellectual development of the individual. Herz (1996) proported that “teachers should consider students' stages of development and select materials and methods to support them”.

Knowledge of the stages of literary appreciation influences our deciding when to use literature. The stages follow a developmental sequence, which is synchronized with the psychological and cognitive abilities of the students. In other words, children do not generally walk before they crawl. It is therefore unreasonable to expect a grade sixth student to read mainly for aesthetic appreciation. It is imperative that we meet students wherever they are developmentally, and progress with the at their own pace, so as to motivate and encourage them. Student may hopefully get to the point where they 'experience pleasure ad profit' from literature.